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He was found dead in his home at age fifty-six.

Canadians think America “is toxic and broken and can never be trusted again,” Chrystia Freeland, the former Deputy Prime Minister, tells David Remnick, and they’re seeking allies abroad.

A measure to tax the ultra-wealthy in California is a bellwether progressive issue. Why are so many Democrats skeptical?

The investigative podcast In the Dark examines why Curtis Flowers, a Black man in Mississippi, was tried six times for the same crime, revealing a town divided by race and a conviction supported by questionable evidence.

A growing movement has mobilized France’s youth against diminished school conditions and accumulating problems—and provided, for its detractors, a pretext for blaming the country’s ills on febrile adolescents.

See today’s Daily Cartoon.

The President’s self-dealing has been well documented. Do voters care—and will anyone ever pay?

For those who appreciate “locksport,” a well-crafted lock may be more interesting than whatever it locks up.

During more than two decades at Harper’s Bazaar, Richard Avedon transformed the fashion photograph, issue after sensational issue.

Democrats and Republicans are in a race to the bottom—and the worst consequences will extend far beyond next month’s midterms.

In Chris Rock’s film “Misty Green,” Rosalind Eleazar gives a tremendous performance as a fast-fading TV veteran with a talent for acting, singing, and self-sabotage.

The comedy-podcast boom is changing our idea of what it means to be funny.

The F.B.I. director’s Trump-inspired hockey team, the Dons, faced their rivals in a beer league. With rogue slap shots and hovering security agents, Kash Patel was in the zone—or, at least, next to it.

The ballet “Oscar,” on now at New York City Center, imagines Oscar Wilde enclosed in a cell, tortured by images from his own works about the relationship between life and art.

How could you give up the throb of urgent throttle and the surge of roaring power that take you through the gates of fear to a state of nerveless bliss?

The author Kevin Barry reads his short story from this week’s issue. Listen here.

On the heels of her Emmy win for “Widow’s Bay,” Betty Gilpin reflects on growing up with actor parents, taking on Cole Escola’s role in “Oh, Mary!,” and the importance of performing with your whole heart.

At Creola, the chef Lana Lagomarsini puts French technique to work exploring Black American foodways—and overhauls her prix-fixe menu every few weeks.

Kevin Barry discusses his story “Chuck Murphy’s Last Run.”